EDWIN CARUNGAY ARTIST'S STATEMENT // I make my home in the San Francisco Bay Area, where I've been fortunate to cultivate a creative career, I truly enjoy. As a senior graphic designer and multimedia producer, photography has always been by my side. In 2017, my sideline hobby took a different direction and evolved into my passion after studying the works of Alex Webb and Nikos Economopoulos. Their powerful play with light and shadow, geometry, and layers interacting within one frame, alongside dynamic candid gestures, were an epiphany and remain profound examples my photography practice strives towards. While I continue to work full-time as a creative marketing and communications professional, whenever I'm away from the office and studio, I'm intently exploring avenues and streets, focusing on capturing the unscripted experiences of people navigating their lives in vibrant settings, both in my hometown and abroad. LOCATION San Francisco UNITED STATES CAMERA/S Leica M11 CATEGORY street WEBSITE https://reygun.com/home @GAMMAREYGUN ​ ​ FEATURES // Ephemeral Rhythms

INTERVIEW December 2, 2022 NOSTALGIA ​ Photography and words by Monika K. Adler Interview by Melanie Meggs Monika K. Adler is a celebrated photographer and avant-garde filmmaker whose work captures the struggles of life, the power of human memory, and the beauty of the natural world. Based in London since 2012, Monika was born in Poland, and graduated from The European Academy of Photography in Warsaw and the Wojciech Gerson’s National School of Fine Arts. After that she moved to Paris, where she photographed the life of the city and its artistic Bohemia, and had her first solo show. Living a vagabond lifestyle and travelling approximately 180 places in Europe and New York, Monika created a photography project called 'Travel no End', a poetic documentary journal of contemplating daily life in its deepest form, comprising of 200 prints. Her transgressive photography series, 'Chernobyl of Love', earned her international recognition for its thought-provoking portrayal of life in the wake of the 1986 nuclear disaster in Ukraine. Her poetic and experimental films have screened at several film festivals around the world, including the Edinburgh International Film Festival, International Film Festival Rotterdam, Hot Docs Canadian International Documentary Festival, and the San Francisco Documentary Festival. Monika uses her lens to capture emotions, revealing the truth behind her lens in captivating ways. She has been praised for her bold and daring approach to photography that pushes boundaries and encourages viewers to reflect on their lives. Her work is a testament to her love of storytelling and highlights her commitment to exploring the power of human connection and memory. As a master of her craft, Monika has skillfully utilized black and white photography to bring to life stories of identity, consumerism, sexuality, and history. Her most recent project, NOSTALGIA, is a powerful exploration of the resilience and strength of immigrants who have experienced war. Her work speaks for itself and conveys a deep appreciation for the art of storytelling. In her own words she tells a poetic and emotional story of an immigrant's remembrance of a life disrupted by war. “Cold earth and blackened gunmetal. Taking with you only the most precious and essential. Cast alone amongst thousands; forced, overnight, to leave their home, their family, their animals, and the places they love; fractious, precarious, putting their lives in the hands of strangers. You still feel it, every moment. It’s hard to forget who you used to be, and what was once yours. The new identity is painful, one described by your nationality, an absence, and the place where your heart still lies. Through memories, you belong to a different place, landscape, climate, and environment. In your homeland the seasons had another smell and colour; the rain felt different, the sun was warmer on your face; the fruit sweeter; the trees rustled unlike anywhere else. These surroundings shaped you, and made you remember who you are, and where you came from. You are a stranger in a new place. People don’t trust you. Under apparent kindness, eventually hostility will emerge. They don’t know if you are a victim or aggressor, but you are indifferent to their judgement. You are tied to your nostalgia, which kills you every day. Overburdened by memory, you dream about a return to the land where you left your soul. But is it possible? Will there be anything to come back to? Can your motherland still your home? Does a past life that was razed to the ground have any chance of being reborn? If so, in what form? How to recognise people you don’t know anymore? Will they recognise you? Will your memory survive in them, or will you be forever a stranger? How to forget those who suffered: killed, raped, displaced, and robbed of everything that is human? For how long should one remember the barbarity of the enemy, and how can we ensure their crimes will not fade from the pages of history books? How will they not become rationalised to people of good will? Will the world forgive and forget too soon? These invaders never respect occupied lands and the human beings who created their own worlds there. Filled with contempt and hatred, they wipe out every shred of past existence. They are ready to uproot every tree, annihilate every home, burn libraries, museums, galleries, bomb opera houses and theatres to install a new order, culture, and new language. Despite the immensity of their cruelty, no punishment has ever befallen them, or will. For history, the death of the masses means nothing. The games of clowns and psychopaths at war one day end. Weaponized human bodies are finite and cannot fight forever. The idea of peace sounds enthusiastic, but rebuilding takes time and wounds never heal. They will live on in the next generations, as trauma, and collective memory. Afterwards, is it possible to return, and to what end? What of those who had to flee somewhere to a foreign land, to start again amongst seemingly friendly people? Emigrant limbo: the state between two different pasts. Arriving in a new land is also history.” “In the end, it appears NOSTALGIA is a state between reality and sleep; a haven, a place of exile and eternal seclusion, where you can immerse yourself in a childhood landscape outside the contemporary narrative. A kaleidoscope. You shift the images in your head, one on top of another, and turn them upside down: colours, smells, sounds, feelings and events mix, one in the other. For a moment, you’re where you belong — no longer a stranger.” IN CONVERSATION WITH MONIKA K. ADLER In this interview with The Pictorial List, we speak to Monika to about how she arrived at this project and her journey into her passion for storytelling in her photography and her films. THE PICTORIAL LIST: Hello Monika, firstly please tell us something about yourself. What would you say first drew you to photography? MONIKA K. ADLER: I was born in Gostynin, Poland, during the late communist period. When I was 13, I left there to study art in Warsaw. Afterwards, I led a bohemian lifestyle travelling across Europe, and spent time in Paris and New York. Those years shaped me as an artist. Since 2012, I’ve worked in London on photography, video art, and film, and have exhibited and published around the world. I’m also working on a feature film: Sick Bacchus. What first drew me to photography? The pure joy of stopping time. TPL: How would you describe your photography, and what would you say you are always trying to achieve artistically? MKA: I work in black and white, conceptual, fine art photography that addresses the socio-cultural construction of memory, history and trauma, identity, and sexuality. In this, I’m interested in touching upon unseen truths: the ineffable. TPL: Talk us through the narrative of NOSTALGIA. When and how did this project first manifest for you? What was the inspiration? What journey are you taking us on? What have you learned from this project that has surprised you? MKA: Nostalgia tells the story of an immigrant’s remembrance of a life disrupted by war. The idea for the series came to me on 24 February 2022, when Russia invaded Ukraine, and thousands of Ukrainians headed to the Polish border. I felt a deep sense of identification with the experience of other Central and Eastern Europeans, and our shared history, that made me feel alive again, because the perfect world of consumerist London has a way of killing you inside. In the end, ‘Nostalgia’ reminded me of how Polish I am. It was profound. TPL: What importance does storytelling or key themes hold for you in your photography and filmmaking? MKA: Storytelling is crucial. It adds blood to the image and sets it in time and space. I believe in the strong relationship between photography, film, and literature. Everything around us has the potential to become a great story. I love uncomfortable narratives. The act of provocation is a life’s breath. TPL: Could you tell us how growing up in Poland has inspired your work today? What special qualities unique to your home country influence both your photography and filmmaking and the way you portray your community? MKA: History has somehow influenced the work of all Polish artists. We’re part of a bleeding wound which doesn’t heal across generations. I explore our national demons and mysteries through symbolic, dream-like, still and moving images anchored in the collective unconscious. TPL: There is an intimacy with your subjects, an up close and personal engagement. Do you know your subjects? Please tell us about the emotion you share with your subjects, and what this brings to your work. MKA: My subjects are close to me, for example: my husband Aeon Rose, yet their meaning in my work is not personal but universal. They function as everyman/woman. I’m there as an emotionless observer; the viewer’s omniscient eye. In nostalgia, every time you close your eyes, you reach home. You didn’t die, and you will survive. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? MKA: Stanisław Ignacy Witkiewicz (Polish writer, painter, philosopher and photographer active before World War I and during the interwar period), Francesca Woodman and Helmut Newton, rebellious and charismatic, inspire me; pure, and honest in exposing their longest shadows and deepest desires. This is the essence of an artist’s life. TPL: What are some challenges that you have faced as a photographer? MKA: I’ve had a hard experience, but I’ve already crossed and drunk from the River Lethe (the river of forgetfulness in Hades) and now I have so much freedom in my work that nothing and no one can challenge me. TPL: How do you educate yourself to grow in your photography? MKA: I feel developing your consciousness is an essential education in any creative work. You see into your inner self and the depth of your being, and it reflects in the images you produce. I study human psychology and metaphysics, and explore progressive dreaming. This establishes a foundation for ideas and shows us how to ‘see’ not just ‘look’ when you release the shutter. TPL: What was the first camera you ever held in your hand, brought to eye, and released a shutter on? For this project you photographed with an Iphone 7+, do you use any other equipment? How does this equipment help you in achieving your vision in your photography? Do you have anything on your wishlist? MKA: My first camera was PRAKTICA MTL3; a gift my father sent me from East Berlin, where he lived and worked in the late 80s. The last 12 years, I’ve used only iPhones. I don’t think that will change soon. TPL: Are there any special projects that you are currently working on that you would like to let everyone know about? What are some of your photography goals? Where do you hope to see yourself in five years? MKA: Nostalgia is a photographic diptych. Next year I’ll work on its second part. A two volume photography book will result. I’m also working on the completion of Sick Bacchus: a feature film. Where do I hope to see myself in 5 years? Let’s leave this open. I love the unknown. TPL: “When I am not out photographing, I (like to)… MKA: I write short stories and screenplays. To create them I study human nature. I read obsessively, not only good literature but also tabloids and historical newspaper archives from 1700s to 2000s. In between them, a brutal, almost vulgar existence merges with something deeper and more elusive. Monika K. Adler's photography and avant-garde films are a testament to her ability to capture the intricacies of human life through her lens. Her work encourages us to reflect on our lives and appreciate the power of human connection and memory. We thank Monika for sharing her intimate and pertinent story. Make a connection and be inspired through her photography. VIEW MONIKA'S PORTFOLIO Website >>> Instagram >>> read more interviews >>> DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography.

INTERVIEW March 12, 2020 HARMONY OF CONTRASTS ​ Photography by Adrian Tan Interview by Melanie Meggs Stepping into the mysterious and captivating world of street photography is a thrilling journey, one that can often bring us face to face with some of the most raw and honest expressions of humanity. For Adrian Tan, this journey began when he stumbled upon some of the masterful work of the world’s most renowned street photographers. Captivated by the candid human expressions and stylish contrast he saw, Adrian was inspired to take an old camera out onto the streets of Singapore and on his travels. Little did he know that this decision would launch him into a lifelong passion for capturing the intensity, beauty, and emotion of everyday life. “When I started travelling when I was a teen, I wanted to take beautiful photos with a camera. But found out later that travel and landscapes photography just wasn’t my cup of tea. I put the camera away for years. Recently, I stumbled upon street photos of candid human expressions and stylish contrast work from some of the masters in street photography. Expressions that portray nothing but the simplest and most sincere emotions of the people around us. That’s where it all started.” IN CONVERSATION WITH ADRIAN TAN THE PICTORIAL LIST: Has your style of photographing changed since you first began your photography journey? ADRIAN TAN: Yes definitely! From crap to ok. Is that a style? 😁 TPL: Where is your favourite place(s) to photograph? AT: I just walk aimlessly whenever I go out for walks. But I hope to travel and gain more experience shooting overseas. ​ ​ TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? AT: Trent Parke, Thomas Leuthard and Fan Ho were the ones that got me all started. I respect their work a lot and I’m always trying to draw inspiration from their photos. But I believe that you should always try to find and draw inspiration from every photographer’s work out there. A lot of photographers' work are so good these days. TPL: Do you think equipment is important in achieving your vision in your photography? What would you say to someone just starting out? AT: I think it’s important in the sense that it’s makes you happy using it. Happy equals to creativity! Whether if it’s an expensive or cheap camera, as long as you feel comfortable using it, you’re good. I would say do your research well and buy the best camera you can afford that makes you happy, after that just keep shooting! ​ ​ The thought of capturing moments whilst playing with light and composition elements hit me! TPL: What do you think you need to become a better photographer? What’s your tips or advice for someone in your genre? AT: You have to have a “feel” for it. If you feel nothing when you click the shutter, you give the viewer nothing to respond to.— Fan Ho said that. And I couldn’t agree more. I use to go about clicking aimlessly without a feel or thought for what I’m actually photographing. Now, I’m constantly forcing myself to think and learn to feel for it. It’s about having a feel when visualizing a particular interesting scene or moment and then make it! TPL: Have you ever been involved in the artistic world before you delved into photography? AT: I use to play music with my band as a guitarist. ​ ​ TPL: Are there any special projects you are currently working on that you would like to let everyone know about? AT: I’m still in the learning process of becoming a better street photographer. Will definitely start doing projects soon when I’ve found the style I’m looking for. I would say...stay tuned! TPL: “When I am not out photographing, I (like to)… AT: Drink beer and have soccer nights. And then some more beers...” ​ ​ Constantly forcing himself to think about having that feeling, Adrian visualizes a particular interesting scene or moment. And then makes it happen with the press of his shutter. Connect with Adrian through the links below. VIEW ADRIAN'S PORTFOLIO Adrian's instagram >>> read more interviews >>> DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography.

INTERVIEW July 8, 2021 RHYTHMIC EXPRESSION ​ Photography by Raj Laxmi Singh Interview by Karin Svadlenak Gomez An ex-journalist turned full-time photographer, what started as a hobby soon led Raj Laxmi Singh to learn and master the craft of photography, while working on the ground level covering a few major art, cultural and heritage events across Delhi and India. She has a knack for capturing portraits and live performances. Rather than just pointing the camera and clicking away, Raj Laxmi takes a picture according to the way the subject makes her feel or the connection of the emotion she makes between herself and the subjects, creating images that combine a strong sense of story and expression of people. “The performing arts are most temporal - the moment you have performed it is over. So I capture the artist’s expression, feeling and emotion in my camera. I think that photographs are the universal language that everyone easily understands. Each picture has its own narrative and story.” IN CONVERSATION WITH RAJ LAXMI SINGH THE PICTORIAL LIST: Raj please tell us about yourself. How did you become interested in photography? RAJ LAXMI SINGH: I was born in a small village called Deoria Meer in Uttar Pradesh, where I completed my primary and secondary education. Currently I live in New Delhi. I am the mother of one child. I became interested in photography while working as a journalist covering a few major art, cultural and heritage events across India. TPL: What was the turning point for you to turn from photojournalism to photographing the arts and culture? What do you love about photographing dance? RLS: First time in 2017 I went to the theatre with my husband. I saw an Indian classical dance live performance. What I felt at the time I cannot explain in words. Classical dance is a performing art where the dancers act out a story almost exclusively through gestures. That time my eyes captured all the dancers expressions, emotions and dance drama, but this time I feel that I could freeze the expressions and emotions. Dance is the movement of the body in a rhythmic way, usually to music and within a given space, for the purpose of expressing an idea or emotion, releasing energy or simply taking delight in the movement itself... that’s why I love dance photography. TPL: Do you have any favourite artists and photographers? RLS: My favourite photographer is Shree Avinash Pasricha. TPL: What do you want to express through your photography? What are some of the elements you always try to include in your photographs? RLS: The performing arts are most temporal - the moment you have performed it is over. So I capture the artist’s expression, feeling and emotion in my camera. I think that photographs are the universal language that everyone easily understands. Each picture has its own narrative and story. What I like about Indian classical dance is its beauty and majesty that comes forth when the dancers use their eyes, hands, limbs and expressions to relate stories to the audience without words. I want to explore more Indian classical dance, folk and traditional dances. I do not have any picture of Kathak Kali dancers and their supporting artists yet. And I also want to cover backstage life. Because every artist looks the same on stage, but backstage life is different and the situations are also different. So I am exploring Indian culture and artist backstage life. TPL: Where is your most favorite place to photograph? RLS: Live classical dance performances at any theater and cultural heritage at temples/tombs. These place provide beautiful frames for photographs and attract my heart. ​ ​ What I like about Indian classical dance is its beauty and majesty that comes forth when the dancers use their eyes, hands, limbs and expressions to relate stories to the audience without words. TPL: When you take pictures, do you usually have a concept in mind of what you want to shoot, or do you let the images just "come to you", or is it both? RLS: Nothing in mind, but when the performance starts then I get many concepts in my mind. I pick up my camera and follow my heart and capture the drama story. TPL: What camera/s do you use? Do you have a preferred lens/focal length? Is there any particular equipment that is on your Wishlist? RLS: I want to buy a Nikon X6II with 300mm lens. Currently I use a Nikon D7000 and 105mm lens. ​ ​ TPL: What are some of your goals as an artist or photographer? Where do you hope to see yourself in five years? RLS: I want to explore more of my Indian culture and also more about the artist's backstage life. This is my goal and I want to achieve my goal within five years. TPL: Are there any special projects you are currently working on that you would like to let everyone know about? RLS: All my special projects are based on our culture. This is work in progress, and what I have shared with you is part of it. ​ ​ Raj Laxmi photographs to reflect the emotion she feels or the connection she makes with subjects in her series of Indian dance. Please visit links to see more of Raj's inspiring photography. VIEW RAJ'S PORTFOLIO See a feature article on Spectaculum Magazine >>> Instagram >>> read more interviews >>> DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography.

INTERVIEW March 8, 2020 HEART AND SOUL ​ Photography by Sofia Sitnikiene Interview by Melanie Meggs Meet Sofia Sitnikiene - a talented graphic designer, artist, empath, introvert, and mother who has a unique perspective on life. Sofia has a passion for capturing the beauty of life as it unfolds, and she does so through her stunning photography. Her art is more than just a snapshot - it's a true reflection of the world around us, full of meaning and significance. Sofia's approach to photography is all about experimentation. She plays with light, texture, and tone to create breathtaking monochromatic photos that speak to the mind, heart, and soul. Her work is a true masterpiece - a perfect blend of art and storytelling. After giving birth to her first child, Sofia felt motivated to pick up her camera once more and capture memorable moments of her family's growth. As time passed, she grew a deep interest in creating images that reflected her personal emotions and perspective of the world around her. What drives Sofia's passion for photography is her desire to document life through images that matter. Her artistic vision believes that every moment is precious, and her goal is to capture that essence through her lens. “When I started, I photographed portraits of my children and documented all of our trips abroad. Later I focused on learning how to capture images that told stories, how to read and understand light and how to shoot in manual mode. Learning manual mode changed everything for me.” IN CONVERSATION WITH SOFIA SITNIKIENE THE PICTORIAL LIST: Sofia, can you tell us when you first became interested in photography?? SOFIA SITNIKIENE: I first started getting interested in photography when I traveled to Poland in 2007, it was an important trip and something that I wanted to do since I was a child. I visited the Auschwitz-Birkenau concentration camp and felt the need to document my journey, history has always fascinated me and I believe that it is important to understand it. I had also taken a film photography course when I studied graphic design in 1998. My mother was an artist and hobbyist photographer so I guess that this had a lot to do with my choices in life. TPL: Where do you find your inspiration? SS: From music, a good movie, a book, nature, my children and most importantly from emotions. I am a sensitive person, an empath and an introvert, this can be hard sometimes. Photography has a deeply spiritual aspect, going out to shoot can be uplifting. ​ ​ TPL: Where is your favourite place(s) to photograph? SS: In my home, a park when there’s good weather, the streets of London. I also love to travel abroad. TPL: Do you think equipment is important in achieving your vision in your photography? What would you say to someone just starting out? SS: I think it helps but it’s not the most important thing as you can take a great image with your mobile phone or even with an old film camera. I still use my mother’s Canon A-E1 when I have the time. It’s about thinking, observing, understanding and practicing. There is always something new to learn, never stop learning. ​ ​ Don’t shoot what it looks like. Shoot what it feels like. - David Alan Harvey TPL: What characteristics do you think you need to become a good photographer? What’s your tips or advice for someone in your genre? SS: I think you have to love it and be passionate about it. I would say first learn how to use your camera, learn how to shoot in manual mode, understand how focal length affects the aesthetic of an image; after learn how to compose correctly, how to read light, how to observe the world around you, how to capture emotions, all of the small details; later you can learn how to edit in Lightroom, Photoshop or any other program that you feel comfortable with. TPL: Have you ever been involved in the artistic world before photography? SS: I was a graphic designer and illustrator for many years. TPL: Would you like to share any artists or photographers who have inspired you? SS: Ansel Adams, Henri Cartier-Bresson, Man Ray, Robert Frank, Steve McCurry, Vivian Maier, Alan Schaller, Meg Loeks, Jyo Bhamidipati, Julia Anna Gospodarou, Joel Tjintjelaar. There are so many photographers that have inspired me throughout my journey it would be hard to mention them all. TPL: Are there any special projects you are currently working on that you would like to let everyone know about? SS: Today I’m working on a series of images that capture the streets of London. It’s something that has always interested me, they are all in black and white. I am going to do a street photography workshop soon. TPL: “When I am not out photographing, I (like to)… SS: Paint and draw.” ​ ​ Sofia Sitnikiene's journey is a testimony to the power of self-exploration and the beauty of life. Despite the mysteries that await us, Sofia encourages us to learn, grow, and love. Her photography captures the joys of life and helps us to appreciate the beauty of our existence. As Sofia continues on her journey of self-discovery and personal growth, we are invited to join her in exploring the wonders of life. VIEW SOFIA'S PORTFOLIO Sofia's website >>> Sofia's instagram >>> Sofia's facebook >>> read more interviews >>> DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography.

INTERVIEW August 27, 2021 SYNESTHESIA ​ Photography by Pan Interview by Bill Lacey Pan is a street photographer living in the Bronx. We leave it to Pan to describe what photography is to him. “Photography is the jazz or the sounds of the blues, the city streets, the neon signs, a thousand and one taxi cabs, all those hats and coats, a myriad of beards and legs and eyebrows and hair and hands, the beaches, tiny apartments and stairwells, parties until five a.m., costumes on Halloween and any day of the year, the cockroaches and fireflies, the actors, singers, musicians, and photographers, the blind and the seeing and the blind who saw more than him, and all the countless grays and colours too.” IN CONVERSATION WITH PAN THE PICTORIAL LIST: Pan, please tell us about yourself. How did you become interested in photography? PAN: I am a photographer living in the Bronx; well, to be transparent, in Marble Hill, which is technically Manhattan, but culturally part of the Bronx. My path into being a photographer might be a little different than most. I was introduced to the medium through a class in this special high school artist program. I was mostly painting then, and photography didn’t interest me much. I was kind of bored, but then, this man from Kodak came and showed us this weird tool, a digital camera. This was the early 1990’s, and digital cameras were not really available then; they cost upwards of $20,000. Kodak made this machine with a sensor that attached to a Nikon camera, and the Kodak person let us high school kids experiment with this fantastically expensive camera in the garden behind the photo lab. I remember taking that test camera and photographing all these flowers; then downloading them slowly onto a computer, and printing them on a dot matrix printer, really big. That was really a shift in my perception. I used photography off and on as a tool to do something else artistically from that point. In the 2000’s, I was using very low-resolution video images as photographs, sent a camera into the upper atmosphere, stuff like that. But all this was photography to do something else. Then, maybe about ten years ago, I was working with the photographer Sean Hemmerle, on a video installation using his photographs. He was very proficient technically with photography, but more importantly, he was passionate about the medium, and knew its history and possibilities. I saw I didn’t really understand photography that well. So, I decided to really learn the art, learn its history, go back to basics, learn it as a photographer, on its own terms, not as a painter or experimental artist. I read books, learnt exposure, went to every photography exhibition in New York around, bought a film camera, built a darkroom, taught myself all over again, from scratch. And… it kind of took over my life. I guess what interested me was photography’s ability to observe the outside world, with its own slant. Now, I can’t even think of myself except as a photographer anymore. TPL: Where do you find your inspiration? And do you have a favourite place to shoot? PAN: John Szarkowski talked of photography as mirrors versus windows, looking inside the photographer’s mind or outside at the world. I am a window photographer. So, I spend time photographing on streets, in the subway, in parks, beaches, anyplace in New York my feet will carry me. I am not interested much in myself, but very curious about other people. When I took on this project on COVID-19, it was natural then to use walking the streets as my method to think through this. I was seeing other photographers take self-portraits, and I saw lots of pictures taken in Times Square, empty of people. Those didn’t resonate with me. I wanted to see how the people around me were, so I put on my shoes, went out and walked the Bronx. This was the first time though I photographed specifically in my own neighborhood. I remember going to a lecture by the photographer Mark Power given at the Bronx Documentary Center, and he talked about how photographers tend to go far away to take pictures, but there is something to be learned in photographing one’s own town or borough or neighborhood. He brought these photographs he had made that morning in the Bronx, and I thought, why am I not doing that?” *Editor's Note: Read Pan's story RESILIENT BRONX via the link below. TPL: In general, what do you want to express through your photography? And what are some of the elements you always try to include in your photographs? PAN: It depends on the project. With the pictures I’ve been making in the Bronx, my hope is that they express the worry about losing one’s job, fear of getting sick, lonesomeness from isolation, sense of looking out for one another, being “New York tough”, all those things I see in people when I walk around and take pictures. I really had to change my approach and my compositions to fit that idea. I consciously was working to simplifying compositions, to give them weight and gravity equal to these times. So that the trouble we are living through, was felt in the image. It’s the first time I tried to make lines vertical and horizontal, for example. I think this is interesting, trying to make my style suit the images in a project. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? PAN: Well, lots, but to choose one, Walker Evans. I looked at a lot of his work while making these recent images. Garry Winogrand said Evans wasn’t in his photographs, they were just photographs, pure photographs. That is an incredible achievement; to make a picture that isn’t about the photographer, it's just the image in itself. They’re so deceptively simple. A house, a sign, a man on his porch, some painted letters. But the power in his images, it’s a real inspiration. TPL: Does the equipment you use help you in achieving your vision in your photography? What camera do you use? Do you have a preferred lens/focal length? PAN: So, for the Bronx project, I used an iPhone. Besides the obvious, its small and the images are instantly available, a phone was important here because I needed to make sure people understood I wasn’t an outsider. In the Bronx, a camera is not a common sight. Having my film camera would have set me at a considerable distance, presented me as an outsider. Sometimes it’s okay to be an outsider, but this time, when I was taking a picture of someone, I wanted them to know I’m from the Bronx, and the phone helped with that. Also, its limitations, the slower speed of the sensor and its operation, helped me plan more simple, direct compositions, which in turn had that sense of weight I think is important. TPL: Do you have a favourite quote,lyric or saying that especially resonates with you? And why? PAN: Garry Winogrand said he “photographed to see how something looks as a photograph”. I might have gotten the quote a little wrong, but his sentiment was a photograph is its own frame, it is divorced from the world a little even when it is a picture of the world. Look at it as a photograph. As lines, light, shadow, forms. That is advice I think about everyday. It makes for better composition when I am looking at a scene through the viewfinder, because if a photograph isn’t a good composition, as a photograph, as uniquely a photograph, and not an illustration, then it doesn’t work. I spend time photographing on streets, in the subway, in parks, beaches, anyplace in New York my feet will carry me. I am not interested much in myself, but very curious about other people. TPL: Do you have a favourite place to shoot in? PAN: I guess I should be clever and say the Bronx! But I will like traveling with my camera someday. TPL: When you go out on the streets, do you have a concept in mind of what you want to shoot, or do you let the images just "come to you", or is it both? PAN: With this recent work, I had a concept of "COVID-19” in mind, which normally I would not have when photographing. That guided every time I pressed the shutter. Honestly one of the great things about this project personally has been deliberately stepping outside of my typical ways, because the project demands that. The project forced me to do things differently. TPL: What are some of your goals as an artist? Where do you see yourself or hope to see yourself in five years? PAN: I simply hope to be making better photographs in five years, keep my curiosity, keep working. It would be interesting if my photography was completely different in five years though. That would be a fun story. TPL: Are there any special projects you are currently working on that you would like to let everyone know about? PAN: Covid-19 isn’t over, and the ways it has changed the Bronx are not over. So, my main priority is sticking to this story, deepening it, and getting it out there. I am currently working on making a series of portraits, using large format film, for this, to ground the work on people. Because this is a story about people in the end. Ultimately, I would love this work to be shown right here in the Bronx, so my neighborhood can think about it, reflect, consider where to go and what these past months mean. TPL: "When I am not out photographing, I (like to)… Walk. Thoreau wrote, “I think that I cannot preserve my health and spirits, unless I spend four hours a day at least—and it is commonly more than that—sauntering through the woods and over the hills and fields, absolutely free from all worldly engagements.” ​ ​ One can say Pan hears colors, feel sounds and taste shapes. We thank him for the opportunity to get to know him a little bit more and for sharing his synesthesia captured through his photography. Connect with Pan on Instagram to see his upcoming projects. VIEW PAN'S PORTFOLIO Read RESILIENT BRONX by Pan Website >>> Instagram >>> read more interviews >>> DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography.

INTERVIEW July 1, 2020 DISCOVERING AN ANALOG WORLD ​ Photography by Karen Miki Rohee Interview by Melanie Meggs For those who have a passion for photography, a unique story can often be told through the lens. Karen Miki Rohee is a French photographer who only began her journey in late 2017, when Karen acquired her first film camera. Her photographs are an expression of her emotions and her talent for capturing the perfect moment, with contrast, leading lines, and isolated subjects being her signature style. Join us on a journey as we uncover the story behind Karen's captivating black and white imagery and experience her love for film. Carpe diem. “This quote not only reflects my philosophy of life but also my photographic journey by capturing spontaneous moments.” IN CONVERSATION WITH KAREN MIKI ROHEE THE PICTORIAL LIST: Karen, when did you start getting interested in photography? KAREN MIKI ROHEE: My first influence was my father, he was always taking pictures ever since I was a kid. I remember finding some 35mm and 110mm film canisters here and there , something that always made me very curious. In 2014, I invested heavily in photography, when I got my first DSLR, a Canon 500D and its kit lens. After a while, as I was getting more serious about photography, I upgraded to a Canon 7D. Unfortunately, after some time I unconsciously started to put aside my camera, as I was also busy finishing my Master degree. It was a very frustrating period for me, as my love for photography still remained intact. Until one day I found the work of photographers such as Sebastiao Salgado, Vivian Vivian Maier, Fan Ho, Henri Cartier-Bresson, Robert Doisneau, and Saul Leiter. That is how I got very curious about all the possibilities available in the film photography world. So in 2017, I acquired my first film camera: a Canon AE1 with a 50mm f1.8. It has now been 3 years since I fell in love with the analog world, to the point that I'm almost exclusively shooting film. TPL: Where do you find your inspiration? KMR: It is normal to have days when you feel less inspired than others. When traveling or discovering a new environment it's easy to find inspiration, but when you have a walk in your neighborhood for instance it can be more difficult to find something that can catches your attention. However, I strongly believe it's a very good way to exercise your eyes and work on your perception, no matter where you are. You just need to try to see the world differently. But in order to work on my creativity, I look at other photographers' work. TPL: You previously mentioned your admiration for Sebastiao Salgado, Vivian Maier, Fan Ho, Henri Cartier-Bresson, Robert Doisneau, and Saul Leiter, who re-ignited your passion for photography. Who has mostly influenced your style? KMR: All of them have their own approach of photography that is very interesting to analyze. Personally I have a special attraction for the body of work of Vivian Maier with her candid images and self-portraits. Fan Ho and his wonderful aestheticism of an image. And lastly Saul Leiter and his color work, where everything just works together. TPL: Has your style of photography changed since you first started? KMR: I honestly don't know how to define my own style of photographing at the moment. But yes, now I try to capture the beauty of a scene, I guess it's also the reason why I'm only shooting film now. Indeed I enjoy the before and after process of taking pictures! Buying a specific film, loading it in your camera, taking images not knowing what they look like, developing them and discovering your images on a negative before scanning them! Film photography is a whole world with endless possibilities! The film: colour, B&W, Slide, Film soup. Format : 35mm, 120mm, 127mm. The size of your negative : 24x36, 6x6, 6x4,5 , 6x7, 6x9. Type of the camera : SLR, rangefinder, TLR, point and shoot, etc.. So yes my style of shooting definitely changed! TPL: Where is your favourite place(s) to shoot? KMR: Everywhere! ​ ​ Buying a specific film, loading it in your camera, taking images not knowing what they look like, developing them and discovering your images on a negative before scanning them...Film photography is a whole world with endless possibilities! TPL: What characteristics do you think you need to become a 'good' photographer? What are your tips or advice for someone in your genre? KMR: Our society works with trends, and photography is not spared. I am just going to list some characteristics that I personally believe are important to have (or try to have) if you are taking photography seriously: patience, tenacity, creativity, auto-criticism, but very importantly, just stick to being yourself! There are no bad images when you actually have an image! Bad images are the ones that you don't take. That's why "carpe diem" is my philosophy! Take a picture of what you personally like, be selfish in that sense. Don't take an image for the only reason that it is trendy. I take images for me because that specific scene touched me. It doesn't matter if it's a street photograph, a portrait, a landscape, etc. What I believe is most important, is to share your emotions, a story, a feeling. But also, as photography can be very subjective, it's important to receive constructive criticism and feedback! Everything is about equilibrium. Just enjoy your journey with your work...that's what matters! TPL: Do you think equipment is important in achieving your vision in your photography? What would you say to someone who may be thinking of getting started in photography? KMR: I think that first of all it is essential to think about how far you are willing to go with photography before investing time and money in choosing your equipment. Then it's very important to find which camera you are comfortable taking pictures with. Personally, when I had to choose my first digital camera, I have always felt comfortable with Canon. Not only with the design but also just how it felt in my hands. Photography is a journey where you will have to face different types of situation like feeling less motivated but you want to force yourself to go out and take images or simply taking photographs under restrictive conditions (low light, moving subject etc...). If you are not feeling comfortable with your material, it will make the whole journey even more difficult. What I always say to someone who starts photography is to invest into an intermediate camera and not an expensive one at first as with time you will figure out your personal likes and needs. And if you start with digital but get less inspired you can do what I did! Try film photography! TPL: Have you ever been involved in the arts before photography? KMR: I'm a very curious and creative person, so I have always loved drawing, painting, music, and I even did some magic! TPL: Are there any special projects you are currently working on that you would like to let everyone know about? KMR: I'm currently thinking about two projects that I would like to achieve. A series of photographs, portraits more specifically, and opening my own film camera store in the coming years hopefully! TPL: "If I wasn't photographing what would I be doing?... KMR: Discovering the world!" ​ ​ Karen Miki Rohee's photographs are a testament to her passion for film photography, skillful use of contrast, lines, and isolated subjects. Her pictures tell stories filled with her own emotions and evoke a feeling of nostalgia. Karen's journey into the world of film photography serves as an inspiration to aspiring photographers and those who seek to capture the emotion of a moment. To get more inspiration straight from the source, connect with Karen today. VIEW KAREN'S PORTFOLIO Karen's website >>> Instagram >>> read more interviews >>> DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography.

INTERVIEW May 28, 2021 THE HUMAN EXPERIENCE ​ Photography by Kevin To Interview by Melanie Meggs The world of street and documentary photography has a new voice in Kevin To. With an eye heavily influenced by the photojournalists and humanists of the past, Kevin's work is a stunning reminder of what can be achieved when the camera meets life on the streets. His images capture the emotions and stories of everyday individuals, giving viewers a glimpse into a world they may never have experienced otherwise. Kevin has traveled extensively, using photography as his tool to bring stories and moments to life that are reminiscent of the golden days. Join us as we explore his creative journey and discover what inspires this talented artist. “What I want to express is the beauty and joy of everyday life. When working on a project or a specific story I try to expand that to include a wider range of the human experience.” IN CONVERSATION WITH KEVIN TO THE PICTORIAL LIST: Kevin please tell us about yourself. How did you become interested in photography? KEVIN TO: I was born in suburban Northern Virginia, just outside Washington DC. Was based in South Sinai for the past six months and now I’ve just arrived in Istanbul, Turkey. I grew up in a big family where my aunts, uncles, and cousins were all into some form of art as their hobbies, that form being mostly photography. Most them are landscape, wildlife and wedding photographers. But they were always taking photographs during family dinners and events, so it was inevitable that I picked one up sooner or later. TPL: Where do you find your inspiration? KT: I find a lot of it through film and music. But I also find a lot of inspiration through just talking to people. Hearing about their life experiences and their perspective on things, it helps me view things differently. TPL: What happens when you go out with your camera? Do people respond positively to you, or do you sometimes get negative reactions? If yes, how do you handle it? KT: I’ve found that when I take my camera out most of the time people respond positively. Occasionally negative reactions occur, and the easiest way to diffuse these situations is to smile and explain. I find that a conversation about what I’m doing and why I took a photo of the person tends to allow them to understand, and more often than not they leave with a smile as well. The initial reaction of “why did you take that photo of me!?” Really scares photographers, but that’s normal and if I wasn’t in a good mood I’d probably react the same way if someone did that to me. TPL: Do you have a favourite place to go and photograph? KT: Wherever I happen to be. My favorite images are definitely made when I’m traveling and when my eyes get to see familiar things in a foreign setting. New colors, sounds, smells, cultures, and energy levels put me into a creative flow. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? KT: Some of my favorite photographers include Philip-Lorca diCorcia, Juergen Teller, Andre Kertesz, and William Eggleston. Film directors I always revisit and love are Andrei Tarkovsky, Claire Denis, Lucrecia Martel, Wim Wenders, Wong Kar Wai. And so many others. ​ ​ New colors, sounds, smells, cultures, and energy levels put me into a creative flow. TPL: When you take pictures, do you usually have a concept in mind of what you want to shoot, or do you let the images just "come to you", or is it both? KT: If it’s a project then absolutely I have images in my head that I want to make. Telling a story through images is the same as writing one, so certain images that give context and move the story forward are essential. But If I’m just wandering about, then most of the time I let the images come to me, no matter the time or day. TPL: Does the equipment you use help you in achieving your vision in your photography? What camera do you use? Do you have a preferred lens/focal length? KT: The equipment does affect the way I shoot and how I go about achieving my vision. I shot mostly with film in the past but now since I’m traveling I’ve switched over to digital. The camera I grab most of the time is my Ricoh GR. It’s the perfect camera in my opinion, and it brings me the most joy with the most ease. The wide angle lens allows me to capture moments on the fly. TPL: What are some of your goals as an artist or photographer? Where do you hope to see yourself in five years? KT: Some of my goals include having a solo exhibition in the future and have a few more books published. In five years I hope to be a photojournalist for an international photo agency like Getty Images or Reuters. TPL: Are there any special projects you are currently working on that you would like to let everyone know about? KT: Currently I’m doing some research on the largest stateless nation, Kurdistan. TPL: When I am not out photographing, I (like to)… KT: Go swimming, cycling around the city, travel, and visit museums. Or just stay home with a good movie, a few cocktails, and some good company. ​ ​ Kevin creates images that are reminiscent of the golden days of street and photojournalism with a modern twist. We thank Kevin for sharing his photography and words with us. Please continue following his travels and inspiring work by connecting below through his website and Instagram. VIEW KEVIN'S PORTFOLIO Read GROWING UP ASSALA by Kevin >>> Website >>> Instagram >>> read more interviews >>> DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography.

CAHLEEN HUDSON be inspired Gallery // ARTIST'S STATEMENT // I am an American expat living in Taiwan, exploring the space between documenting home and the outside world, following the thread that connects them both. My mission is to become the kind of photographer who can not only see the beauty in the mundane, but can also communicate that beauty to others in a unique way. I want to slow down, get close, and tease out noteworthy elements in all of the things I encounter just by living my normal life. LOCATION New Taipei City TAIWAN CAMERA Canon EOS M5 and M6 mark ii CATEGORY street, abstract, ICM, candid WEBSITE https://www.cahleenhudson.com/ @CAHLEENH ​ ​ FEATURES // See My Neighbourhood

PICTORIAL STORY January 15, 2021 MYSTIC VOYAGE ​ Photography and story by Ulka Chauhan Introduction by Karin Svadlenak Gomez Ulka Chauhan is originally from India, and has lived in Boston, New York and Cape Town. Currently she is dividing her time between Zurich and Bombay. Apart from photographing life on the streets of Zurich, she enjoys documenting the rich tapestry of colours, character and culture of all countries she visits. Although Ulka has travelled extensively, no place has touched her quite like Varanasi, the spiritual capital of India. In the pre-pandemic month of January, she set out to capture the spirit of Varanasi, and it was the energy of the people and the place that captured her. It was a transformative journey and through her pictorial story Ulka transports us on a mystic voyage to this timeless city of life and eternity. “Varanasi is older than history, older than tradition, older even than legend and looks twice as old as all of them put together.” - Mark Twain Situated on the banks of holy river Ganga, Varanasi is believed to be the oldest living city in the world. For centuries, the mystique of this place has been attracting pilgrims from across India as well as abroad. People come to worship and offer their prayers to the river Goddess – 'Mother Ganga.' A dip in the holy waters is said to wash away all sins. There are more than 80 ghats (steps) leading down to the river. Some ghats are dedicated to worship and others that are dedicated to cremation. It is believed that if anyone dies in Varanasi they will attain salvation and freedom from the cycle of birth and rebirth. At the crack of dawn each day, the ghats are gently peppered with people performing their rituals. The quietude of the early morning, the soft sunlight glistening over the holy waters, the reflections of the row boats docked along the river bank are both calming and invigorating at the same time. A monk recites the sacred texts as part of his morning prayers and meditation. The serenity of the moment…the quietude of the early morning, the soft sunlight glistening over the holy waters and the reflections of the row boats docked along the river banks; makes one realise the value of reflection and looking within. A school of novice monks perform sun salutations and other yoga asanas as part of their morning routine. The young monks belong to the Brahmin caste and they are training to become brahmin priests and to follow a spiritual life. The daily practice of morning yoga on the ghats is an essential part of their training to lead a disciplined life and to stay connected with the energy of the earth. Some pilgrims take a morning dip in Ganga to cleanse their body, mind and soul. Others wash their clothes in her waters. It is believed that those who bathe in the sacred waters will be free of all sins and attain salvation. Worshippers make their way down the narrow alleyways of the old city to make their offering at one of the countless temples. It is estimated that there are 23,000 temples in Varanasi. Making an offering of flowers and coconut at a temple or a shrine is a way for the worshippers to pay their respect and stay devoted to god. A story of Varanasi is not complete without speaking of it’s holy men. Varanasi is a spiritual home for India’s Sadhus. These men are revered as representatives of the gods and sometimes worshipped as gods themselves. They are ascetic wanderers respected for their holiness and feared for their curses. They wilfully renounce themselves of all earthly possession and dedicate their lives to the pursuit of spiritual liberation. Apart from the Sadhus, Varanasi is also home to Buddhist monks at the Nepalese temple and Hindu pandits (priests) who perform the Ganga Aarti ceremony. An ash smeared Naga Sadhu who was sitting around a bonfire. His renunciation of all belonging is a sharp contrast to the big city lifestyles of short-lived materialistic pleasures. Another Sadhu clad in red, the intensity of his gaze exuded inner strength and resilience and he appeared to be detached from his surroundings. At the Nepalese Temple, there was an elderly monk soaking in some afternoon sun in the temple courtyard. The ultimate ceremony of all takes place in Varanasi every evening as dusk descends. Throngs of pilgrims gather on row boats docked along the water’s edge and along the steps of the ghats to watch the Ganga Aarti. As part of the ceremony, the pandits circle glittering oil lamps, shells and tufts of horse tail in a clockwise direction. This is accompanied by chants and songs in praise of the mother Ganga. As the ceremony draws to a close, the pandits sprinkle petals of marigolds in the air. The sight of the showering saffron is so magical, it is as if blessings are raining down from the heavens above. © Ulka Chauhan © Ulka Chauhan © Ulka Chauhan © Ulka Chauhan © Ulka Chauhan © Ulka Chauhan © Ulka Chauhan © Ulka Chauhan © Ulka Chauhan © Ulka Chauhan '© Ulka Chauhan © Ulka Chauhan © Ulka Chauhan Ulka Chauhan's journey to Varanasi was both transformational and unforgettable. Ulka captures the essence of this timeless city in her photos, which tell the story of its people and culture as well as its spiritual nature. Join Ulka on her many journeys and explore the beauty of her visual storytelling. view Ulka's portfolio Read an interview with Ulka >>> Website >>> Instagram >>> The views, thoughts, and opinions expressed in the text belong solely to the author/s, and are not necessarily shared by The Pictorial List and the team. read more stories >>> BEHIND THE PLANTS Wayan Barre documents Cancer Alley residents facing pollution and economic challenges, shedding light on their resilience and the impacts of environmental injustice. OAXACA In Oaxaca, Tommaso Stefanori captures Día de los Muertos, exploring the convergence of life and death, human connections, and enduring cultural rituals through evocative photographs of tradition and emotion. THE RED POPPY AND THE SUN By blending archival and contemporary images, Mei Seva creates a visual story that captures the ongoing struggles and moments of triumph for those impacted by displacement and circumstance. FIRE AND FORGE Alexandros Zilos delves deep into the harsh reality of sulfur mining, while also capturing the allure of the blue fire phenomenon created by sulfur deposits in the crater. IN-VISIBLE PAIN Through black and white self-portraiture, Isabelle brings to light the stark reality of living with chronic pain — a reality often dismissed by a world that requires physical evidence to believe in one’s suffering. CELEBRATION OF LIFE Ahsanul Haque Fahim's photography captures Holi in Bangladesh, celebrating life with vibrant colors and reflecting human emotions, diversity, and interconnectedness in Dhaka's streets. KOALA COUNTRY Sean Paris invites viewers on a transformative journey, challenging our perceptions and fostering a new appreciation for rural Australia through mesmerizing infrared photography. MOMMIE Arlene Gottfried’s poignant exploration of motherhood in “Mommie” is not just a collection of photographs but a profound tribute to the enduring bonds of family and the universal experiences of love, loss, and resilience. BIFRÖST In "Bifröst," Romain Coudrier masterfully captures Norway's timeless beauty, blending myth with modernity through black and white photography. A stunning exploration. MUD Dedipya Basak's documentary project explores an 800-year-old lake's struggle against global warming, highlighting its relevance and urgency in modern times. A WORLD WITHIN REACH In his Cuba project, Pedro Vidal celebrates human resilience and warmth through captivating imagery, revealing photography's profound ability to encapsulate emotions and memories. UNVEILING VULNERABILITY In a world where masculinity is often synonymous with stoicism and strength, Francesca Tiboni challenges us to reevaluate our perceptions of masculinity, inviting us to embrace the complexity of the male emotional experience. TRANSCENDENTS: SPIRIT MEDIUMS IN BURMA AND THAILAND Mariette Pathy Allen's visual narrative celebrates authenticity, spotlighting Spirit Mediums' enigmatic presence in both possession and daily life. She portrays them as essential to cultures steeped in Animism, reflecting the enduring essence of human authenticity. COALESCENCE Visual diptychs intricately depicting the intimate exchange between a mother and daughter, transcending personal narratives to explore universal themes of transition, acceptance, and the beauty of change. IN THE FOOTSTEPS OF ANSEL ADAMS In following the footsteps of the masterful Ansel Adams, Karin Svadlenak Gomez not only paid homage to his timeless work but also embarked on a transformative journey. PARALELL REALITIES Through her lens, Catia Montagna explores the impact of socioeconomic factors and social norms on our daily lives, revealing the subtle poetry of small, insignificant moments that capture the ‘existential’ and the ephemeral, in the human condition. A TALE OF NATURE AND HERITAGE With her words and photographs, Ana-Maria Alb invites readers to join her on a journey through the breathtaking Carpathians. ON THE TRAIL OF LOVE LOST Through Sasha’s photo essay, we are given a glimpse into a beautiful love story and the unbreakable strength and resilience of the human spirit. Join us as we explore Sasha Ivanov’s heartfelt tribute to Lydia and Nikolai. SAHIB: THE FRANKINCENSE BOY France Leclerc’s documentary exploration embraces the community finding captivating stories for her visual translations. Her story takes us to the village of Poshina, where we meet Sahib. THEY HAVE GONE Lorenzo Vitali felt compelled to explore the landscapes of Eastern Veneto, to understand its emotional affective relationship and document it through his photography. I AM WATER Paola Ferrarotti explores her deep connection with the water and how it has transformed her understanding of life and herself. THE STRANDED PAKISTANIS Anwar Ehtesham captures the beauty of human emotion in all its rawest forms in the face of adversity and offers an insight into the complexity of the lives of the Bihari people and their relationship with their environment. BLINDFOLD CHESS Anastasiya Pentyukhina’s documentation of blindfolded chess provides an insight into this often overlooked world of sports, and sheds light on the unique challenges faced by visually impaired players. SKIN STORIES Tony Reddrop strives to look beyond the ink in his latest project, believing that by looking beyond the physical appearance of a person you will find their unique story. WHERE THE WAVES MEET THE OCEAN Uma Muthuraaman explores the idea of finding in ourselves what we seek in other people and places — like waves searching for the ocean, being it, and not knowing it.

INTERVIEW July 16, 2021 LES FRANÇAIS ​ Photography by Gareth Watkins Interview by Melanie Meggs French-British photographer Gareth Watkins started photographing back in the early eighties after reading French literature at University. In his early days, he mostly tried to capture street type pictures, in London, where he was living at the time. Gareth quickly realised if he was to work in photography, he would have to move into more general photojournalism. Thus, from the mid 1980’s, Gareth started working for a number of newspapers and agencies in London, before joining Reuters News Agency as a staff photographer in Paris in 1987. Here he covered many local and international stories for over 15 years. Since leaving Reuters, Gareth has started to shoot his own long term projects, documenting the region in France where he lives. He shares his collection of pictures from his adoptive home country, observing France and its people and their history. “Since leaving the world of press photography, I have for the first time had way more opportunity to concentrate on my own pictures, as well as returning to my favoured medium of black and white photography. Nowadays setting myself projects, I can shoot what I want, when I want; look for good light, interesting subjects without the pressure of a client or a deadline. It is extremely liberating.” IN CONVERSATION WITH GARETH WATKINS THE PICTORIAL LIST: Gareth please tell us about yourself. What was that moment that sparked your interest to pursue photography as a profession? GARETH WATKINS: I was born in the UK, but have lived the majority of my life in France, first in Paris, then in north-eastern France where I live today. I have both British and French nationalities. I currently run my own business offering fishing holidays. I first got interested in photography when I was still at university and my father bought me a Minolta SLR camera. The college had a Photo Club with its own dark room, so I jointed and learned the basics of processing and printing my own black and white pictures. After my time at university, both in the UK and France, and graduating with a degree in French literature I got more and more interested in photography and decided that I wanted to make a career of it. My first efforts to break into the profession, were to cover local sporting events in South London, where my parents lived and I tried to sell pictures to the local newspapers. After a while, a couple of papers started to use some shots and offered me my first assignments. I managed from there to get a staff job on another local South London paper. London was a great place to work when I started out, as it allowed us to cover the same stories as the national press; for example, the Royal family and major sports events like First Division Football and Wimbledon. I was thus able to put together a portfolio of shots and get some freelance shifts on the UK daily papers and PA new agency. After a year or two trying to get steady work on Fleet Street, I came across an advert for a job at Reuters in the UK Press Gazette. Not really expecting to even get an interview, I applied and to my great surprise, was hired as a Photographer/Picture Editor. After a year or so, a position opened up at the Paris bureau. As a French speaker I decided to apply and again I was successful. And so, I moved back to France. I remained in Paris until I left Reuters at the beginning of the 2000's. TPL: As your time as a photojournalist, can you tell us about any significant moments that you had over your career? GW: During the more than 25 years I worked as a photojournalist it is very hard to pick any one assignment. My favourite assignments to cover were the big sporting events, as I always felt it was me and the athletes, and no other outside influence. If they were good and I was good, the pictures could be exceptional. I covered eight or nine French Tennis Opens, several World Athletics Championships, and Olympics, as well as the Tour de France and major football and rugby competitions. Outside of sport I was able to cover the Paris Fashion weeks for many years. One assignment the marked me was the Kurdish refugees story following the first gulf war, where I travelled to Iran and the border with Iraq. This was a memorable trip in a fascinating part of the world. We also covered French politics on a regular basis, travelling with the French President, initially François Mitterrand and then Jacques Chirac, visiting countries as far afield as the Caribbean, West Africa, and Asia. I think the most significant aspect of the period was the huge change in technology from my beginnings to when I left. We started with b&w prints, travelling with a portable lab and transmitter, developing, and making prints in hotel bathrooms. Securing a reliable phone line to wire the pictures was an important part of the job. We then moved to colour negative and were early adopters of digital technology. The early cameras were dreadful quality, slow, cumbersome, and ridiculously expensive, but allowed us to shoot and transmit images in a fraction of the time it took to develop and wire a negative. Our production switched 100% digital after the 1998 Football World Cup in France. We were all issued two Canon EOS1 DSC520 cameras and a Macbook. This meant with a GSM mobile phone, we could literally send pictures from anywhere in the world in minutes. TPL: Retiring from your job as a photojournalist, how has this had an effect on your personal photography projects? GW: Working as a photojournalist in the wire service, one has virtually no time for personal projects. We were shooting often 2 or 3 assignments a day or travelling to cover an event or breaking news story. During my leisure time I didn’t generally take any pictures, even if I always had a camera with me just in case. After leaving Paris I initially did some commercial assignments for the local tourist board as well as moving into video, shooting corporate promotional clips in France for a couple of UK based holiday firms. Since leaving the world of press photography, I have for the first time had way more opportunity to concentrate on my own pictures, as well as returning to my favoured medium of black and white photography. Working for the press or commercial clients you have to shoot what they want, and there are few possibilities. Nowadays setting myself projects, I can shoot what I want, when I want; look for good light, interesting subjects without the pressure of a client or a deadline. It is extremely liberating. I saw an interview with a Magnum photographer recently, and he said he couldn’t bear working for editorial clients, and I can totally see what he means. Pictures are digital these days, I can’t see me returning to film. Not having the pressures of deadlines and time constraints, has freed me to look for local subjects to document; the Covid crisis being a notable case in point. TPL: Can you tell us about your current project documenting where you live? What would you like to communicate to the viewer? And why did you want to do the project in black and white? GW: My current location in France is near the famous WW1 battles grounds of the ‘Chemin des Dames’. Having moved here in the early 2000’s I have become fascinated in this history steeped area. It was largely obliterated during the Great War, with over 300 villages raised to the ground. Some were rebuilt and some were abandoned, and nature was left to take back it’s right. Having a decent collection of photography books, by some of the photographers I mentioned earlier, I realised that they were for the most part, not assigned the subject matter they chose to shoot, but made personal projects documenting an area. I felt drawn to this part of France, French history and the people and places around me. So, I started to research for myself the various places of interest and to visit them one by one. This included interesting landscapes, but also the people. Black and white was just a natural choice. Firstly, I had always enjoyed the gritty aspect of monochrome, but also, I felt by the very nature of the subjects, it made for stronger images. In many instances the colour takes over the picture and becomes the main focal point. One can’t do anything about what colours are present, unless the choice is made to shoot in b&w. I then made the choice to self-publish the pictures in Zines and Photobooks. The internet now has a fantastic choice and offers multiple companies that will produce one-off publications. It is a simple matter to download a ‘drag & drop’ programme and to create a picture book. I feel it is still important today to see pictures in print. All too many images are simply posted on the internet or stored on phones or hard drives and probably at some point deleted. I unfortunately, lost a large percentage of my press pictures during the early digital days, simply because, we didn’t have the drive space to stock the pictures. Hard drives stopped working and the hugely expensive media was reformatted after the story was filed and any unfiled picture deleted. In those early naïve days of digital we didn’t realise just how fragile this chain of production was, and also didn’t appreciate the value of our work. Once it was transmitted to the subscribers and published, it was forgotten, and we moved onto the next assignment. So today I find it far more satisfying to see a collection of my pictures of a certain subject printed in book form. Over the last couple of years, I have done projects on the local canal, a collection of the local people where I live seen through my eyes and lens, as well as a personal collection of the recent Covid pandemic, seen through our experience, being locked down in a small village in rural France. These projects printed in small runs for myself gave a focus to my ongoing project of documenting daily life, the people and the places around me. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? GW: In my formative years I collected books by photographers such as W. Eugene Smith, Don McCullin, Henri Cartier-Bresson etc. I think they inspired many aspiring photographers at the time, and still do. I was fortunate to have worked with some of the most talented photojournalists in the world over the years. Many of the wire service guys were exceptional photographers, and I learned a lot very fast with a hugely steep learning curve. Currently I follow closely a number of photographers, as social media has opened up access to a wide number of artists one would probably not see outside publications in magazines and newspapers. The last book I bought was the hugely impressive work by Peter Turnley covering the start of the Covid pandemic in New York and Paris. His black and white pictures were not only beautiful and eloquent but terrifying at the same time. ​ ​ Since leaving the world of press photography, I have for the first time had way more opportunity to concentrate on my own pictures, as well as returning to my favoured medium of black and white photography. TPL: Do you have any other favourite places outside where you live that you enjoy photographing? GW: One of my favourite places is Le Touquet on the northern coast of France. We rent a holiday house there every summer. It is one of the majestic turn-of-the-century French ‘Station balnéaire’, like Cabourg and Deauville. Except is has a family atmosphere and a lot of charm. I find it a wonderful reservoir for picture opportunities. I have always loved the seaside, with its wonderful light and often grandiose landscapes. Added to this the quirky nature of beachgoers and it is the perfect setting for ‘street’ type photography. It takes me back to the days when I used to wander around East London looking for pictures, but instead of the rather sinister aspect the city had back then I have a more festive holiday backdrop in which to seek out interesting pictures. TPL: When you take pictures, do you usually have a concept in mind of what you want to shoot, or do you let the images just "come to you", or is it both? GW: I would probably say a bit of both. I will often try to come up with a local subject, be it an event or just and interesting place to shoot. I will usually check it out on Google Street View, which I have found an invaluable tool, in looking for angles and details that one can easily miss when actually on location. While I like to have people in my pictures, to add context and as a document of our places and times, I still often like to make a landscape shot too, especially if the sky is dramatic, and here in Eastern France, with wide sweeping landscape vistas, we get some awesome skies, that are prefect for black and white. Other times I will simply grab my camera and wander, this can produce multiple nice shots or nothing at all. But after years as a wire service ‘snapper’ where we regularly had to go out at any time and make a decent illustration of a newsworthy subject, that was at first sight rather dull, one gets good at finding a picture. One gets adept at summing up the surroundings and seeing or anticipating quickly if there is an interesting picture to be made, and where to place oneself to get it. I think if I had one piece of advice for anyone starting out today it would be that you need to anticipate. You need to see pictures; composition has to be second nature. Once you see where a potential image might happen, you need to be in place to frame it and snap it. Sometimes it works sometimes it doesn’t. But the more you do it the luckier you get… Cartier Bresson spoke of a ‘decisive moment’, but you don’t just get lucky and ‘bang’ you have a perfectly timed shot...No, you have to see where the scene will break down, where the elements will come together and what your picture could be. If he was a master of these perfectly timed shots, there was no luck in it. He knew and had the vision to see the picture. One needs to always be looking for pictures, always framing in your head, even when you don’t have a camera in your hand. Shooting sports before autofocus trained us to anticipate. It was virtually impossible to follow a soccer or rugby player running flat out or a 100m sprinter. One had to look at the game, know the sport and guess where a piece of action would take place. Focus on the spot and get your timing spot on. It was hard and need concentration, but it was a good school. Nowadays, follow focus on a modern camera makes all this far easier, but the basic premise still rings true, and no amount of technical wizardry can take away the need to anticipate. TPL: Does the equipment you use help you in achieving your vision in your photography? What camera do you use? Do you have a preferred lens/focal length? GW: Equipment is not hugely important; all modern cameras give excellent results. I did however, make the choice three or four years ago to move away from big DSLRs and Zooms. I had a bag with Canon 5D iii bodies, and 16-35mm, 24-105mm and 70-200mm zooms. It weighed a ton...I think many photographers who lugged around bags of heavy gear for years, ended up with back issues, and I was no exception. So, my equipment requirements these days are based on size and weight as much as anything else. A friend offered to sell me a Fuji X-Pro1 and a couple of lenses. I bought this and was hooked. It was small light, and the quality of both the images and fixed focal lenses was superb. I have since widened my collection of lenses and updated to the X-Pro2 bodies. The X-Pro2 is a very fast camera to use, has excellent autofocus and is a joy to use. It’s retro style takes me back to my first serious camera the Nikon FE, with it’s dials and aperture ring. I currently use the 23mm F2 and the 50mm F2 as my main focal lengths. These give me a full frame equivalent of 35mm and 75mm. These are attached permanently to my camera bodies. I do have the 18mm and 35mm (28mm and 50mm equivalents) but only rarely use them. These two cameras go everywhere with me now, in a small Billingham bag, and mean I can grab a picture at any moment. I often see a subject while out in my car and can stop, jump out and make the picture. This would never have been possible with the Canon gear, as I simply wouldn’t have had it with me at all times. TPL: What are some of your goals as an artist/photographer? Where do you hope to see yourself in five years? GW: I’ll be 60 next year, so while I am still fit and healthy, I don’t really have any massive ambitions as a photographer. The world of photojournalism has moved on and now a new generation of young people often armed with just a phone has emerged and replaced the generation I came from. In France, the printed press is in crisis and press groups are firing more staff photographers than they are hiring. Pictures are now sold for very little money and surviving as a freelance these days is a very hard task. As I said above the advances in camera technology have meant that it is now far quicker and easier to make pictures and produce nice images than it used to be. While the soul of photography has perhaps been ripped out, the digital era has opened up image making to many more people and democratised the whole process. What used to be a skilled trade, shooting, developing, and printing pictures and wiring them on time to hit deadlines, has disappeared. Now what would have taken several hours to do can be done literally in seconds. Publications can now change up their content literally on a minute by minute basis...pictures have become far too ephemeral. This is why I like to print my collections, so in 10 or 15 years and beyond we will have a record of what life was like, hopefully pictures that only have marginal value now, will take on a historical document function and show future generations what our times were like. We have seen larger strides made in image making in the last 15 years than were made since the inception of photography. In five years' time, assuming I’m still as fit as I am today, I will continue to set my own projects and print my pictures…and who knows, I might even do some colour work...but as someone once said to me "Don’t forget to smell the flowers along the way!" TPL: "When I am not out photographing, I (like to)… CW: As we live in the countryside, we like to walk usually with our two Tervuren dogs. We try to get out and do some cycling as often as possible to keep active. Also I am a lifelong fisherman, so when time allows, I like to get out and fish the local rivers in my region. I have my own lakes for my fishing business too and I will often do some fishing there, if I don’t have any customers." ​ ​ Since leaving photojournalism, Gareth now photographs his own long term projects documenting the region in France where he lives, fascinated by the history and the people. Too see more of Gareth's long term project please visit his website and Instagram. VIEW GARETH'S PORTFOLIO Website >>> Instagram >>> read more interviews >>> DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography.

PICTORIAL STORY September 25th, 2020 REBELS FOR A CAUSE ​ Photography by Tris Story by Karin Svadlenak Gomez We humans are quite good at driving other species to extinction. We kill them, often illegally. We overfish our oceans and disturb the natural balance of marine species by pollution. As a species, we grow and grow and grow. In the 1960s there were 3 billion people in the world, and we are most likely going to see the global population reach 9 billion soon. And these people are consuming more and more of the earth's resources to sustain an ever more consumption-rich lifestyle. We pollute through industrial operations. We destroy almost all natural habitats. 75 percent of the land that is not covered by ice has been changed by humans. We emit so many greenhouse gases that we are looking at a global average temperature rise of 3-4 degrees, which has massive impacts that are already being felt in some of the world: more fires, more droughts, more severe storms and other disasters, and by consequence, more species extinctions. Around 1 million animal and plant species are estimated to be under threat of extinction, more than ever before in human history. Many will have died out by the time a baby born today graduates from primary school. It is worse than expected, happening much faster than ever before. According to the Intergovernmental Science-Policy Platform on Biodiversity and Ecosystem Services (IPBES) nature has been subject to an unprecedented rate of global change during the past 50 years. "The evidence is that unless immediate action is taken, this crisis has grave impacts for us all," warns David Attenborough in the recent and highly recommended BBC One documentary Extinction: The Facts. “The health of ecosystems on which we and all other species depend is deteriorating more rapidly than ever. We are eroding the very foundations of our economies, livelihoods, food security, health and quality of life worldwide.” - Sir Robert Watson, Chair of the IPBES Looking at all the harm we have done and continue to do, it is so easy to despair and lose hope. I often just want to throw in the towel or stick my head in the sand. But we cannot, we must not let things slide, not for ourselves, not for our children. We cannot look away from our own behaviours. We need to think of what we consume, and how much of it, and where it comes from. After all, there is no evidence that the purchase of just one more gadget makes us happy. This includes what we eat, and how much of the food we buy we end up throwing away. We actually waste about forty percent of the food that is produced globally, so agricultural sustainability is also about reducing that food waste. Scientific evidence of the impact of our food systems on the environment clearly indicates that with adjustments of how we farm and what we eat, we could really improve the prospects for climate and species dramatically. We do not all have to turn vegetarian, but we can think about whether we really need to eat meat as often as we do, or cut back on dairy products, and if we can, buy from organic sources (which, if we are talking about eating meat, also to some extent and depending on the country you live in, may ensure better farm animal welfare). So I try to be conscious of my own behaviours and how it contributes to that huge human footprint. It is pretty bad. My family owns a car. We occasionally fly for a long distance vacation. But I do try to reduce my personal impact. I sold my second car and started biking or taking public transport to work. I became a vegetarian only this year, and before that I ate meat rarely and only from organic sources. I plant insect-friendly flowers and herbs, and I do not use any insecticides on them. I lowered the thermostat by one degree in the winter to save energy, and we produce some of the electricity we use with photovoltaic panels. Those are little things, but they are a start. Many of us do care, and many of us want to make a difference, and we can. Not only with our consumption, but also by speaking up. How is it that policy makers can act decisively on issues such as Covid-19 (because some really have done so), but not on issues that are just as important and that affect all our futures? It is because all they often worry about is the next election, and because it takes a very strong outpour of public discontent to make politicians change tack from business as usual. The impact of Covid-19 is being felt here and now, it is very immediate and in our face. But the impacts of climate change and species extinction are not being felt so immediately, at least not in the rich countries, where consumption is highest (although one could argue that the drastic bushfires in Australia last year, and now in California, are already impacts of climate change). Ironically, there is a connection between this global pandemic and the environmental destruction we have wreaked on the planet, something that is well understood by wildlife veterinarians using a one health approach. Pandemics, ecology, and climate are interlinked in a delicate network. What we have done to our environment makes us, and wild animals, sick, and it displaces both wild animals and humans. In such conditions, diseases can easily take hold and in some cases, such as with Covid-19, jump from animals to humans, becoming zoonotic diseases. And still, despite all scientific evidence, politics is painfully slow in reacting to the crisis. They make statements, big words that sound promising, but little action follows. So how can one get policy makers to act decisively? Protest, protest, protest. For real transformational change, politicians have to see a massive groundswell of citizens rising up to show they care about these issues, and the politics has to follow suit by making policies that provide the right kinds of incentives on a path towards more sustainable ways of living on our only home, this planet. This is why several protest movements have been taking to the streets for. Such movements are not new, but the most noteworthy spark that brought millions of young people into the streets has been provided by Fridays for Future, a global climate strike movement that started in August 2018, when 15 year old Greta Thunberg began a school strike for climate. "Our house is on fire!" - Greta Thunberg That young student's action created a wave of strikes that have by now spread to 7,800 cities in 218 countries with 14 million strikers. These are truly rebels for a cause that is important to all of humanity. Today, on 25 September 2020, Fridays for Future is organising another Global Day of Climate Action. The students have by now been frequently joined and supported by adults, including teachers for future and scientists for future. Another protest movement created around the same time as Fridays for Future is focusing on extinction and the global environmental damage wreaked by humans: Extinction Rebellion. Their concerns are the same, but they argue that it is necessary to go “beyond politics”. Established in the United Kingdom in May 2018, with about one hundred academics signing a call to action, Extinction Rebellion is a non-partisan, but not unpolitical, international movement that uses non-violent direct action to try to entice governments towards ecologically sensible politics. While the issues are global, the UK movement organisers demand that governments acknowledge the current climate and biodiversity crisis, act now to halt species extinction and climate change, and that the government make policies based on a Citizens’ Assembly on climate and ecological justice, rather than based on interest lobbies and party politics. Their concept of a Citizen's Assembly may seem far out there, but is in their words the “fairest and most powerful way to cut through party politics”. It is also not completely unprecedented, as they cite examples of successful assemblies from a range of countries, including Ireland, Canada, Australia, Belgium and Poland. In London, and globally, members of the movement also organise colourful protest marches to raise awareness on this global cause. Extinction Rebellion members will even go to the extent of allowing themselves to be arrested. © Colourbricks © Colourbricks © Colourbricks © Colourbricks © Colourbricks © Colourbricks © Colourbricks © Colourbricks © Colourbricks © Colourbricks © Colourbricks © Colourbricks © Colourbricks © Colourbricks © Colourbricks The colourful protests are of course eye-catching, but they are hopefully much more than that. These new protest movements are reminiscent of the civic protests of the 1960s in the United States, which did bring about a lot of change. Because the outcome of the current peaceful rebellions is of great concern to all of humanity, we have to do our very best to strengthen and increase such protests, so as not to let politicians off the hook anymore when it comes to action to protect our home, our planet earth. view Tris' portfolio Read an interview with Tris >>> Sources used in this story - The Guardian | Open Letter: Act now to prevent an environmental catastrophe Extinction Rebellion | Emergency on Planet Earth And watch - BBC One documentary Extinction: The Facts The views, thoughts, and opinions expressed in the text belong solely to the author/s, and are not necessarily shared by The Pictorial List and the team. read more stories >>> BEHIND THE PLANTS Wayan Barre documents Cancer Alley residents facing pollution and economic challenges, shedding light on their resilience and the impacts of environmental injustice. OAXACA In Oaxaca, Tommaso Stefanori captures Día de los Muertos, exploring the convergence of life and death, human connections, and enduring cultural rituals through evocative photographs of tradition and emotion. THE RED POPPY AND THE SUN By blending archival and contemporary images, Mei Seva creates a visual story that captures the ongoing struggles and moments of triumph for those impacted by displacement and circumstance. FIRE AND FORGE Alexandros Zilos delves deep into the harsh reality of sulfur mining, while also capturing the allure of the blue fire phenomenon created by sulfur deposits in the crater. IN-VISIBLE PAIN Through black and white self-portraiture, Isabelle brings to light the stark reality of living with chronic pain — a reality often dismissed by a world that requires physical evidence to believe in one’s suffering. CELEBRATION OF LIFE Ahsanul Haque Fahim's photography captures Holi in Bangladesh, celebrating life with vibrant colors and reflecting human emotions, diversity, and interconnectedness in Dhaka's streets. KOALA COUNTRY Sean Paris invites viewers on a transformative journey, challenging our perceptions and fostering a new appreciation for rural Australia through mesmerizing infrared photography. MOMMIE Arlene Gottfried’s poignant exploration of motherhood in “Mommie” is not just a collection of photographs but a profound tribute to the enduring bonds of family and the universal experiences of love, loss, and resilience. BIFRÖST In "Bifröst," Romain Coudrier masterfully captures Norway's timeless beauty, blending myth with modernity through black and white photography. A stunning exploration. MUD Dedipya Basak's documentary project explores an 800-year-old lake's struggle against global warming, highlighting its relevance and urgency in modern times. A WORLD WITHIN REACH In his Cuba project, Pedro Vidal celebrates human resilience and warmth through captivating imagery, revealing photography's profound ability to encapsulate emotions and memories. UNVEILING VULNERABILITY In a world where masculinity is often synonymous with stoicism and strength, Francesca Tiboni challenges us to reevaluate our perceptions of masculinity, inviting us to embrace the complexity of the male emotional experience. TRANSCENDENTS: SPIRIT MEDIUMS IN BURMA AND THAILAND Mariette Pathy Allen's visual narrative celebrates authenticity, spotlighting Spirit Mediums' enigmatic presence in both possession and daily life. She portrays them as essential to cultures steeped in Animism, reflecting the enduring essence of human authenticity. COALESCENCE Visual diptychs intricately depicting the intimate exchange between a mother and daughter, transcending personal narratives to explore universal themes of transition, acceptance, and the beauty of change. IN THE FOOTSTEPS OF ANSEL ADAMS In following the footsteps of the masterful Ansel Adams, Karin Svadlenak Gomez not only paid homage to his timeless work but also embarked on a transformative journey. PARALELL REALITIES Through her lens, Catia Montagna explores the impact of socioeconomic factors and social norms on our daily lives, revealing the subtle poetry of small, insignificant moments that capture the ‘existential’ and the ephemeral, in the human condition. A TALE OF NATURE AND HERITAGE With her words and photographs, Ana-Maria Alb invites readers to join her on a journey through the breathtaking Carpathians. ON THE TRAIL OF LOVE LOST Through Sasha’s photo essay, we are given a glimpse into a beautiful love story and the unbreakable strength and resilience of the human spirit. Join us as we explore Sasha Ivanov’s heartfelt tribute to Lydia and Nikolai. SAHIB: THE FRANKINCENSE BOY France Leclerc’s documentary exploration embraces the community finding captivating stories for her visual translations. Her story takes us to the village of Poshina, where we meet Sahib. THEY HAVE GONE Lorenzo Vitali felt compelled to explore the landscapes of Eastern Veneto, to understand its emotional affective relationship and document it through his photography. I AM WATER Paola Ferrarotti explores her deep connection with the water and how it has transformed her understanding of life and herself. THE STRANDED PAKISTANIS Anwar Ehtesham captures the beauty of human emotion in all its rawest forms in the face of adversity and offers an insight into the complexity of the lives of the Bihari people and their relationship with their environment. BLINDFOLD CHESS Anastasiya Pentyukhina’s documentation of blindfolded chess provides an insight into this often overlooked world of sports, and sheds light on the unique challenges faced by visually impaired players. SKIN STORIES Tony Reddrop strives to look beyond the ink in his latest project, believing that by looking beyond the physical appearance of a person you will find their unique story. WHERE THE WAVES MEET THE OCEAN Uma Muthuraaman explores the idea of finding in ourselves what we seek in other people and places — like waves searching for the ocean, being it, and not knowing it.